"Brightly the keys, all twinkling, linked, all harpsichording, called to a voice to sing the strain of dewy morn..." James Joyce
The harpsichord is widely seen as the forerunner of the modern day piano, the main difference being its plucking mechanism, rather than hammers, which gives it its distinct sound, the sound of the Renaissance and the Baroque, signalling in a new dawn for early music.
Concert pitch at the time was 415 Hz, approximately a semitone lower than today, which is 440 Hz. The harpsichord it very sensitive to fluctuations in temperature and humidity, and needs to be tuned at least once a day. The tuning process only takes about 20 minutes on average, so it is a small price to pay, for a beautiful, clean tone.
Not only is the harpsichord an excellent solo instrument, for which many works (such as sonatas, suites, toccatas, variations and many more) were written by composers such as B. Sweelinck, J. S. Bach, his son C. P. E. Bach, D. Scarlatti, Handel and F. Couperin, but the harpsichord, alongside the Organ, Theorbo and Lute, plays a central role in the basso continuo in most Baroque ensembles.
The harpsichord forms the harmonic bridge between melody and bass, and its central role within the basso continuo is comparable to the modern keyboard’s function in a rock, pop or jazz band.
One of the main features of the Baroque style for harpsichord is ornamentation, such as trills, mordents, turns and tremolo, which are particularly prominent in the French Baroque with composers such as Francois Couperin and Rameau. Many such ornaments can also be found in the famous Well-Tempered Clavier (1722) by J. S. Bach.
As a favoured instrument of the bourgeoisie and royalty, the untimely end of the harpsichord was brought about by the people’s revolts of the French Revolution (1789 to 1799), harpsichords and clavichords were thrown out of the windows onto the streets of Paris in anger and burned!
With the revival of early music in the 1970s, more and more new harpsichords were built. Pioneers such as B. Gustav Leonhardt, Ton Koopman and Nikolaus Harnoncourt reinvented Renaissance and Baroque style, and the harpsichord grew in popularity, and was once again seen on concert stages, and in chamber venues all around the world.
Today you can find harpsichords built in Flemish, French, Italian, Austrian and German styles all over the world. They all have their own individual character and tone. Historical performance practice has now become second nature for harpsichord players, and has influenced the way we approach modern keyboard instruments, and most importantly how we view the piano.
for: Harpsichord, strings
Score
Item no.: 385726
Corpus Of Early Keyboard Music 40/3
for: Harpsichord [piano]
Item no.: 605410
Corpus Of Early Keyboard Music 40/2
for: Harpsichord [piano]
Item no.: 605409
for: Piano [harpsichord]
Music score
Item no.: 686180
for: Harpsichord
Single part Harpsichord
Item no.: 430333
for: Basso continuo
Item no.: 280426
for: Organ (manuals) [harpsichord]
Music score
Item no.: 275182
for: Harpsichord
Stimme, Urtextausgabe
Item no.: 882626
for: Harpsichord
Stimme, Urtextausgabe
Item no.: 488098
"Triple Concerto"
Bärenreiter Urtext
for: Harpsichord, flute, violin, strings, basso continuo
Viola (orchestral part)
Item no.: 817358
for: Harpsichord
Item no.: 1619149
for: Harpsichord
Single part Harpsichord
Item no.: 421436
for: Basso continuo
Harmony parts (complete winds)
Item no.: 642060
for: Basso continuo
Single part Basso continuo
Item no.: 234401
for: Basso continuo
Single part Basso continuo
Item no.: 630936
for: 2 harpsichords, strings, basso continuo
Violin 2 (orchestral part)
Item no.: 328049
for: 2 harpsichords, strings, basso continuo
Single part harpsichord 2
Item no.: 294071
for: 2 harpsichords, strings, basso continuo
Cello, double bass (orchestral part)
Item no.: 328051
for: Harpsichord
Book
Item no.: 1103040
Performers' Facsimiles 122 (Faksimile) (Facsimile)
for: Harpsichord
Item no.: 376514
for: Harpsichord
Item no.: 242725
Performers' Facsimiles 126
for: Harpsichord [piano]
Item no.: 364990
for: Basso continuo
Item no.: 169141
for: Basso continuo
Item no.: 173677
for: Harpsichord
Book
Item no.: 1162648
8 kleine Stücke für Cembalo solo
for: Harpsichord
Music score
Item no.: 661559
for: Harpsichord
Music score
Item no.: 648642
for: Harpsichord
Book
Item no.: 999055
Geistliches Konzert
for: Basso continuo
Single part Basso continuo
Item no.: 232040
for: Basso continuo
Single part Basso continuo
Item no.: 229865
Corpus Of Early Keyboard Music 5/7
for: Harpsichord [piano]
Item no.: 302444
for: Harpsichord
Music score (reprint, hardcover)
Item no.: 561727
Corpus Of Early Keyboard Music 27
for: Organ manuals [harpsichord/piano]
Item no.: 290324
Performers' Facsimiles 161
for: Harpsichord
Item no.: 364824
for: Harpsichord [piano]
Item no.: 208922
for: Harpsichord
Score
Item no.: 239441
for: Harpsichord
Book
Item no.: 819180
for: Harpsichord
Score
Item no.: 832306
(Urtext)
for: Harpsichord, strings
Single part Harpsichord
Item no.: 191473
for: Harpsichord, strings, basso continuo
Cello, violone [double bass] (orchestral part)
Item no.: 491616
for: Harpsichord, flute, violin, strings, basso continuo
Single part (Violin solo)
Item no.: 329674
for: Harpsichord, strings, basso continuo
String parts 3/3/2/2/1
Item no.: 648601
for: Piano [harpsichord]
Music score
Item no.: 1565626
for: Harpsichord
Single part(n)
Item no.: 421233
for: Harpsichord
Buch
Item no.: 1541347
for: Basso continuo
Single part Basso continuo
Item no.: 234437
for: 2 harpsichords, strings, basso continuo
Single part harpsichord 1
Item no.: 294070
Klassik
for: Harpsichord
Buch
Item no.: 1194077