After the Second World War, there emerged a new generation of composers, who sought to stretch the boundaries of music history, and find new and exciting styles and forms. Browse our sheet music and scores, take a look at our Modern Classical Music, and explore the wide world of contemporary music with Stretta Music today!
Dodecaphony or Serialism is the use of the twelve semi-tones as the harmonic and structural basis, rather than the traditional harmonic key structure which governed classical music until the turn of the twentieth century. Arnold Schoenberg was the father of twelve-tone composition in the 1930s. Moving into the post-war era, all dodecaphonic or serial musical parameters, including note lengths, dynamics and even timbres were set in rows. After 1948, the Darmstadt “holiday courses” became the centre of Dodecaphony or Serialism for almost a decade. Despite the mathematical and logical basis, twelve-tone composition still produced many highly emotional works such as Luigi Nono’s Il Canto sospeso.
As the technical and electronic possibilities continued to grow and thrive after the war, the first studio solely dedicated to electronic music was founded in Cologne in 1951 by Herbert Eimert. Important electronic music composers were Edgar Varese, Karlheinz Stockhausen, Ernst Krenek, Maurice Kagel, Luciano Berio and Iannis Xenakis, who was also an assistant to the architect Le Corbusier.
Aleatoric comes from the Latin “alea”, meaning dice. Aleatoric composition leaves elements of the music to chance. The American composer John Cage was the first to experiment with aleatoric music, and many others followed, in particular K. Stockhausen, P. Boulez, W. Lutosławski.
Soundscape composition plays with sense and emotion, it uses long drawn musical landscapes to give the listener time to recognise and experience the music in a whole new way. The most important compositions include Atmosphères and Lontano by György Ligeti. Other works of this type were created by Luigi Nono, Krzysztof Penderecki, Iannis Xenakis.
Minimalism also came to Europe from the USA. Minimalism uses repetitive, wide blocks of sound, without strong contrasts or dramatic changes. It is in the repetition, with gradual, small changes, that the minimalist effect is achieved. The pioneers of minimalism in the 1960s were American composers Philip Glass, John Adams, Le Monte Young, Terry Riley and Steve Reich. They were followed in Europe by Henryk Górecki and Arvo Pärt.
for: Soli, Kinderchor, Sprecher und kleines Orchester
Choir score
Item no.: 180855
for: für Chor SATB und Orgel
Item no.: 180513
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 587473
for: Soli, Kinderchor, Sprecher und kleines Orchester
Score
Item no.: 351895
for: Mixed choir a cappella
Score
Item no.: 120515
for: Mixed choir (SATB); piano ad lib.
Choir score
Item no.: 292966
for: 4 soloists (SATB), mixed choir (SATB), orchestra
Piano score, choir score
Item no.: 380517
from "Magnum Mysterium"
for: gemischter Chor (SATB) a cappella oder mit Streichquartett oder 4 Holzbläser ad libitum
Score
Item no.: 734944
for: Women's choir (SSAA), piano
Score
Item no.: 338615
for SATB choir and organ
for: gemischter Chor (SATB) und Orgel
Choir score
Item no.: 750697
for SATB choir with optional piano or organ
for: gemischter Chor mit Klavier oder Orgel ad libitum
Choir score
Item no.: 755254
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 673387
for: für Singstimmen ( 1-3- stimmig) und Klavier
Ensemble score
Item no.: 342406
for: Sopran solo, gemischter Chor und Orgel (Klavier)
Choir score
Item no.: 213619
for: Mixed choir (SATB), organ
Score
Item no.: 662683
for mixed chorus and harp
score (= vocal score)
for: Mixed choir (SATB), harp [piano]
Piano score
Item no.: 1701429
for: Mixed choir, organ
Choir score
Item no.: 618590
for: 4 soloists (SATB), mixed choir (SATB), orchestra
Score
Item no.: 380516
for: Mixed choir (SATB), piano
Score
Item no.: 321704
for: Women's choir (SS), piano
Score
Item no.: 498354
The Royal Collection
for: gemischter Chor (SATB) und Orgel
Choir score
Item no.: 743251
text from an English folk poem from Napton, Warwickshire
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 736973
aus ‘Gaspard’s Christmas’
for: Voice, piano
Choir score
Item no.: 1559627
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 554666
for: gemischter Chor (SATB) a cappella oder mit Streichquartett oder 4 Holzbläser ad libitum
Score
Item no.: 489208
for: Mixed choir (SATB), organ
Choir score
Item no.: 354667
for: Women's choir (SSA), harp [piano]
Choir score
Item no.: 487737
for: Frauenchor (4 gleiche Stimmen)
Choir score
Item no.: 355079
for: Mixed choir (SATB), organ
Choir score
Item no.: 554660
for: Mixed choir (SATB), organ
Score
Item no.: 430814
for SATB choir
for: Mixed choir (SATB) a cappella
Chorpartitur Klavierbegleitung zu Probezwecken
Item no.: 750414
for: Mixed choir (SATB), organ
Choir score
Item no.: 478071
for: Children's Choir [Women's Choir] [SSS] and harp [Piano]
Choir score
Item no.: 498355
for: gemischter Chor mit Klavier oder Orgel ad libitum
Choir score
Item no.: 499258
for: Mixed choir (SATB), organ
Choir score
Item no.: 429076
from "Four Christmas Carols"
for: Frauenchor (4 gleiche Stimmen)
Choir score
Item no.: 748769
Ein Weihnachtslied
for: Voice, piano
2 Performance scores
Item no.: 1016367
for: Soloists, Mixed Choir, Children's Choir and Orchestra
Score
Item no.: 643591
for: 2 melodic instruments (B-flat)
Ensemble score
Item no.: 140413
for mixed choir and organ
for: gemischter Chor und Orgel
Choir score
Item no.: 738390
for: Piano
Music score
Item no.: 630968
for: für Singstimme und Klavier
Item no.: 144368
text from "Christmas Poem" by George Mackay Brown
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 750653
CD Live-Mitschnitt eines Konzertes am 29. November 2009 in der Evangelischen Stadtkirche Ravensburg
Audio-CD
Item no.: 577879
Das Rennquintett 1
for: 5 brass players, organ
Score, part
Item no.: 433538
for: Voice, piano
Item no.: 201881
for: Trumpet, organ
Item no.: 378031
for: INST AKK (KLAV)
Item no.: 606977
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