After the Second World War, there emerged a new generation of composers, who sought to stretch the boundaries of music history, and find new and exciting styles and forms. Browse our sheet music and scores, take a look at our Modern Classical Music, and explore the wide world of contemporary music with Stretta Music today!
Dodecaphony or Serialism is the use of the twelve semi-tones as the harmonic and structural basis, rather than the traditional harmonic key structure which governed classical music until the turn of the twentieth century. Arnold Schoenberg was the father of twelve-tone composition in the 1930s. Moving into the post-war era, all dodecaphonic or serial musical parameters, including note lengths, dynamics and even timbres were set in rows. After 1948, the Darmstadt “holiday courses” became the centre of Dodecaphony or Serialism for almost a decade. Despite the mathematical and logical basis, twelve-tone composition still produced many highly emotional works such as Luigi Nono’s Il Canto sospeso.
As the technical and electronic possibilities continued to grow and thrive after the war, the first studio solely dedicated to electronic music was founded in Cologne in 1951 by Herbert Eimert. Important electronic music composers were Edgar Varese, Karlheinz Stockhausen, Ernst Krenek, Maurice Kagel, Luciano Berio and Iannis Xenakis, who was also an assistant to the architect Le Corbusier.
Aleatoric comes from the Latin “alea”, meaning dice. Aleatoric composition leaves elements of the music to chance. The American composer John Cage was the first to experiment with aleatoric music, and many others followed, in particular K. Stockhausen, P. Boulez, W. Lutosławski.
Soundscape composition plays with sense and emotion, it uses long drawn musical landscapes to give the listener time to recognise and experience the music in a whole new way. The most important compositions include Atmosphères and Lontano by György Ligeti. Other works of this type were created by Luigi Nono, Krzysztof Penderecki, Iannis Xenakis.
Minimalism also came to Europe from the USA. Minimalism uses repetitive, wide blocks of sound, without strong contrasts or dramatic changes. It is in the repetition, with gradual, small changes, that the minimalist effect is achieved. The pioneers of minimalism in the 1960s were American composers Philip Glass, John Adams, Le Monte Young, Terry Riley and Steve Reich. They were followed in Europe by Henryk Górecki and Arvo Pärt.
for: 2 Holzbläser (Flöten, Alt-Blockflöten oder Flöte und Oboe) und Streichorchester
Stimmensatz
Item no.: 190752
for: 2 Violinen und Violoncello (solistisch oder chorisch)
Stimmensatz
Item no.: 189117
for: 4 brass instruments
Einzelstimme
Item no.: 1545476
for: 11 Instruments
Score
Item no.: 901163
for: Male choir (TTBB) a cappella
Choir score
Item no.: 203270
for: Male choir (TTBB) a cappella
Choir score
Item no.: 202892
for: gemischter Chor (2 gleiche oder 4 gemischte Stimmen) mit Bläsern oder Orgel
Set of parts (Wind instruments)
Item no.: 202655
for: gemischter Chor unisono und Orgel / Blasorchester
Set of parts (Wind instruments)
Item no.: 202516
for: Male choir (TTBB) a cappella
Choir score
Item no.: 204257
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 204235
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 204223
for: Male choir
Choir score
Item no.: 204046
for: Mixed choir a cappella
Choir score
Item no.: 203924
for: Male choir (TTBB) a cappella
Choir score
Item no.: 203645
for: Male choir (TTBB) a cappella
Choir score
Item no.: 203643
for: gemischter Chor (SATB) mit Soli (SATB)
Choir score
Item no.: 203335
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 1546238
for: Male choir (TTBB) a cappella
Choir score
Item no.: 392138
for: Male choir (TTBB) a cappella
Choir score
Item no.: 391952
for: Male choir (TTBB) a cappella
Choir score
Item no.: 391530
Cantata in 3 parts
3. Canticle to Hope
for: Soloists, mixed choir, orchestra
Piano reduction
Item no.: 351387
for: gemischter Chor (SATB) mit Alt oder Bass solo, Orgel oder Cembalo und Streicher
Choir score
Item no.: 1546378
for: Voice (baritone)
Item no.: 103070
for: Oboe, harp
Ensemble score
Item no.: 103047
for: Percussion, orchestra
Ensemble score
Item no.: 103016
for: OB HA KLAV
Item no.: 102996
for: Violin, cello
Item no.: 187716
for: 2 violins, viola, cello (string quartet)
Score
Item no.: 353877
for: Viola, orchestra
Piano reduction, solo part
Item no.: 353856
for: String orchestra
Study score
Item no.: 1544683
for: Chamber orchestra
Study score
Item no.: 355627
for: Kinderchor (Mez) und 3 Blockflöten (SSA)
Einzelstimme
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for: Flute, string orchestra
Viola (orchestral part)
Item no.: 643312
for: Orchestra
Score
Item no.: 287695
for: Soloists, mixed choir, orchestra
Lyric book
Item no.: 354696
for: FCH/BL/STRQU/KL
Item no.: 354484
for: zwei Sopranblockflöten, Trompete (Kornett), Violine, Trommel und Klavier
Item no.: 354458
for: String orchestra
Einzelstimme
Item no.: 1545995
for: Flute, chamber orchestra
Study score
Item no.: 353742
for: Piano
Item no.: 353660
for: gemischter Chor (SATB), Soli (ABar) und Instrumente
Score
Item no.: 353628
for: Symphonic orchestra
Study score
Item no.: 352512
for: gemischter Chor (STBar) und Instrumente
Einzelstimme
Item no.: 293585
for: Choir
Choir parts (Soprano, Alto)
Item no.: 1043718
for: Frauenchor (SSA) mit Klavier oder Streichorchester
Single part Violin 2
Item no.: 375987
for: Orchestra
Study score
Item no.: 352126
for: Mixed choir (SATB), orchestra
Piano reduction
Item no.: 352021
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