“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
for: Tuba, organ
Sheet music
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for: 4 trombones (quartet)
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for: 4 trombones (quartet)
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for: Brass quintet
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for: 4 trombones (quartet)
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for: Oboe, piano
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for: Brass quintet
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for: 2 Oboes, 2 English Horns & Bassoon
Sheet music
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for: Mixed choir, orchestra, basso continuo
Score
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Abbildung der handschriftlichen Eintragung zu 2. Chr 5,13: "Bey einer andächtigen Musique ist allezeit Gott mit seiner Gnaden gegenwärtig"
Postcard
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for: Brass band
Score, Parts
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for: Clarinet (B-flat) [tenor saxophone], organ
Sheet music
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for: Concert Band
Score, Parts
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for: Alto saxophone, piano
Sheet music
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for: Brass band
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for: Concert band
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for: Brass Band
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for: Concert Band
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for: GES-T (B) VL KLAV (ORG)
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for: Violin, strings, basso continuo
Study score
Item no.: 668720
for: Voice (tenor), violin, piano [organ]
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Preludes and Fugues
BWV 894, 895, 897, 923, 951
for: Piano
Music score
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for: Viola, harpsichord
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Book
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for: GES-T (B) TRP KLAV
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for: Soloists, mixed choir (SATB), orchestra, organ
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for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
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for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
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for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
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for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
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for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
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for: Alto saxophone, piano [organ]
Sheet music
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for: 2 trumpets, horn, trombone, tuba (quintet)
Score, Parts
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for: Guitar
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from the Orchestral Suite No. 3
for: Clarinet (B-flat), piano
Music score
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for: Flute [violin], harpsichord
Music score
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for: 1.Fassung: Gemischter Chor (SATB), Hörner (2), Ctto, Posaunen (3), 2.Fassung: Gemischter Chor (SATB), Hörner (2), Violinen (2), Viola, Basso continuo, [Oboen (2), Tl, Fagott]
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for: Soli SATB, Gemischter Chor (SATB), Oboen (2), Trompete da tirarsi, Violinen (2), Viola, Basso continuo
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for: Soli ATB, Gemischter Chor (SATB), Oboe d'amore (2), Violinen solo (2), Violinen (2), Viola, Basso continuo
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for: Soli ATB, Gemischter Chor (SATB), Oboe, Fagott, Trompete, Violinen (2), Violen (2), Basso continuo
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for: Soli ATB, Gemischter Chor (SATB), Oboen (2), Oboe da caccia (Violetta), Horn, Violinen (2), Viola, Basso continuo
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for: Soli SATB, Gemischter Chor (SATB), Oboen (2), Oboe d'amore, Trompete, Violinen (2), Viola, Basso continuo
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for: Bass solo (Mez), Oboe, Oboe da caccia, Violinen (2), Viola, Basso continuo
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Item no.: 1337554
for: Soli SATB, Gemischter Chor (SATB), Oboe d'amore (2), Violinen (2), Viola, Basso continuo
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Item no.: 1337543
for: Soli SATB, Gemischter Chor (SATB), Oboen (2), Fagott, Violine solo, Violinen (2), Viola, Basso continuo
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Item no.: 1337538
for: Soli SATB, Gemischter Chor (SATB), Oboen (2), Tl, Violinen (2), Viola, Basso continuo
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for: Soli SATB, Gemischter Chor (SATB), Oboen (2), Horn, Violinen (2), Viola, Basso continuo
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for: Solo SATB, Gemischter Chor (SATB), Flöte, Oboen (3), Trompeten (3), Pauke, Violinen (2), Viola, Basso continuo
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Item no.: 1337507