“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
for: Soloist (tenor), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 679013
Cantata for the 23rd Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: Soloist (soprano), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 683155
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 234132
Volume with detailed booklet in German (Collection, Urtext)
for: Voice (tenor), piano
Piano score
Item no.: 358089
from Suite No. 3
for: Piano
Music score
Item no.: 722238
Cantata for the inauguration of a new town council
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ solo
Piano reduction
Item no.: 232880
for: Piano
Sheet music
Item no.: 1557146
Meditation on the Prélude on G Major BWV 1007
for: 2 violoncellos [violin/ viola/ voice (low), Cello].
Score, Parts
Item no.: 697660
for: Piano
Music score
Item no.: 128684
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Piano reduction
Item no.: 285556
Hunting Cantata
for: 4 soloists (SSTB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 797985
Cantata Nr. 82 for the Purification of the Blessed Virgin Mary
in c-minor
for: Voice (bass), oboe, strings, basso continuo
Piano reduction
Item no.: 285476
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Piano reduction
Item no.: 285467
Piano reduction
Item no.: 285450
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Piano reduction
Item no.: 285431
for: 4 soloists (SATB), mixed choir (SSATTB), orchestra, organ
Piano reduction
Item no.: 285421
"It is enough"
Version for Soprano
for: Voice (soprano), orchestra, basso continuo
Piano reduction
Item no.: 285380
for: Violin
Book (Hardcover)
Item no.: 603872
for: Piano
Music score
Item no.: 642367
Quotations from J.S. Bach's cantatas
for: Voice
Music score
Item no.: 255372
Motet – "Jesu, meine Freude"
Urtext Stuttgarter Bach-Ausgaben
for: Mixed choir (SSATB); instruments colla parte, basso continuo ad lib.
Score (Urtext edition)
Item no.: 226945
Klassik
for: Women's choir (SA), piano
Piano reduction
Item no.: 1103348
Klassik
for: Mixed choir (SATB), piano
Choir score
Item no.: 1103580
Klassik
for: Voice (baritone), piano
Book
Item no.: 964742
Hunting Cantata
for: 4 soloists (SSTB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 1654165
"Aus der Tiefen rufe ich, Herr, zu dir"
Cantata for a penitential service (version in g minor)
Urtext Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 610796
Wedding cantata
Stuttgarter Bach-Ausgaben Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 666630
Kantate zur Trauung
Urtext
for: 3 soloists (STB), mixed choir (SATB), strings, basso continuo
Choir score
Item no.: 661354
Wedding cantata – "Dem Gerechten muss das Licht"
Urtext Stuttgarter Bach-Ausgaben (revised edition)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 680674
Kantate zum 16. Sonntag nach Trinitatis
für vier Solostimmen (SATB), gemischten Chor (SATB), Orchester, Orgel und Basso continuo
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 681276
Kantate zum 4. Sonntag nach Trinitatis
für Solostimmen (SATB), gemischten Chor (SATB), Orchester und Basso continuo
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 681275
Cantata for Ascension Day
BWV 37
STUTTGARTER BACH AUSGABEN
URTEXT
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 232921
Cantata for the 21st Sunday after Trinity B flat major BWV 98
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 233523
Cantata for the 24th Sunday after Trinity
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 233027
Cantata for the Sunday Septuagesim
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (SAT), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 233868
Cantata for the 21st Sunday after Trinity – Ich glaube, lieber Herr, hilf meinem Unglauben
Urtext Stuttgarter Bach-Ausgaben – revised edition 2017
for: 2 soloists (AT), mixed choir (SATB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 233662
Kantate zum 1. Sonntag nach Epiphanias (vor 1724)
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Choir score
Item no.: 673140
Cantata for a wedding
Urtext Stuttgarter Bach-Ausgaben
– Gradual price on request –
for: 3 soloists (SAB), mixed choir (SATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 673207
for: Solo voices, mixed choir (SATB), baroque orchestra
Choir score
Item no.: 928523
for: 2 soloists (TB), mixed choir (SATB), orchestra
Choir score
Item no.: 909923
for: Women's choir (2 parts), piano; trumpet, snare drum ad lib.
Choir score
Item no.: 745900
for: 4 soloists (SATB), mixed choir (SATB), orchestra
Choir score
Item no.: 933329
Cantata for the 1st Sunday after Epiphany BWV 32
Stuttgarter Bach-Ausgaben
for: 2 soloists (SB), mixed choir (SATB), orchestra, basso continuo
Piano reduction (Urtext edition)
Item no.: 232896
Passio secundum Joannem BWV 245 - Urtext Stuttgarter Bach-Ausgaben
Fassung II (1725)
for: 5 soloists (SATBB), mixed choir (SATB), orchestra
Study score
Item no.: 612174
Peasant Cantata ("Mer hahn en neue Oberkeet")
Urtext Stuttgarter Bach-Ausgaben
for: 2 voices (SB), orchestra, basso continuo
Score (Urtext edition)
Item no.: 685626
for: Mixed choir (SATB), piano
Choir score
Item no.: 317722
for: Voice, piano
Choir score
Item no.: 962158
for: Piano
Music lesson book
Item no.: 1107302